For creators

What usage rights mean for your fee

You quote for a post. The brand says yes, the video does well, and three months later it is running as an ad you were never paid for. Nobody cheated you. The brief said “full usage” and you said fine, because it was line eleven and you were already thinking about the shoot. This is what that line means, and what it should cost.

Beatly · 5 min read ·

A post and a licence are two different products

When you publish on your own account, the brand gets your audience, your trust and your format, once. That is a post. When the brand takes the file and runs it somewhere else, in its own feed, in a paid campaign, on a screen in a shop, it gets your face and your work in front of people who never chose to follow you, for as long as it likes. That is a licence.

Both are legitimate things to sell. The mistake is selling the second at the price of the first. Brands rarely do this on purpose; the template they copied simply says “usage rights” and nobody on either side priced it.

So the question before any fee is not “how many posts” but “where does this go afterwards, and for how long”.

The five things that change the price

A usage clause has five moving parts. Each one is a separate ask, and each one is a separate line in your fee.

Channels. Your own account is one thing. The brand’s own channels is a second. Paid social is a third. Whitelisting, where the ad runs from your handle rather than the brand’s, is a fourth, and it needs naming on its own because it is a different thing legally and in practice. Television and out-of-home screens are a fifth. Every channel added is a new audience you are being put in front of.

Duration. Thirty days, three months, six months, a year, or forever. Rights that expire are worth less than rights that do not, and six months covers most campaigns. If the brief says forever, ask why. There is sometimes a good reason, such as a product page that will carry the video for years. It should be priced as that.

Territory. A brief for a Swedish audience and a brief for the whole of Europe are not the same job. If the brand wants to run your content in Poland, that is a different deal, whatever the template says.

Edits. Whether the brand can cut, subtitle, crop for another format, add its logo, or re-voice you. A vertical crop for a billboard is an edit. Say which ones you agree to. Anything not on the list should need your sign-off.

Exclusivity. How long you agree not to post for a competitor, and what counts as one. “No competing brands” means nothing; a named category for three months means something, and it has a price, because it is income you are turning down.

Whitelisting: your face, their ad account

This one deserves its own paragraph because it is the most often misunderstood. Boosting means the brand pays to push a post from its own account. Whitelisting means the brand runs ads from your account, with your name and picture on them, to audiences it chooses, with money it controls.

Your followers will see it. So will strangers. Comments land on something that looks like your post. If the ad runs badly, or too often, it is your name that people get tired of.

It is a legitimate ask and brands like it, which is why they ask. It is also the ask most often hidden inside the phrase “paid use”. If a brief mentions paid social, ask which kind. The answer changes the price and it changes what you are agreeing to.

When the brief says “full usage”

Two words, no price. Full usage usually means every channel, every territory, forever, with edits, and it is almost never what the brand actually needs. It is what the template said.

Do not refuse it. Unpack it. Ask which channels, for how long, where, and whether they need to edit. Most brands, asked plainly, will say something like “our own channels and paid social in Sweden for six months”. That is a real answer with a real price, and it is usually a smaller ask than the two words implied.

A brand that will not answer those questions is telling you something too.

Say it before you say yes

The moment to raise usage is before you accept the brief, not after the content exists. Once the video is made and everyone likes it, you are negotiating from the weaker side. Before, you are simply quoting for the work.

On Beatly briefs, usage is confirmed before you accept: which channels, for how long, and the fee for those uses, written where you can read it. If a brand wants more later, that is a new conversation with a new number, not a surprise in your feed.

If you want to see how big an ask actually is, the Rights Builder turns those five decisions into a clause and tells you, in plain words, whether you are being asked for a post or for a licence. It is free, it does not ask who you are, and it is the same tool the brands use.

  • Which channels, named one by one, including whether paid means boosting or whitelisting.
  • For how long, from first publication.
  • Which countries, or which region.
  • Which edits are allowed without asking you.
  • What exclusivity means, in categories or names, and for how long.
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